In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

Curator, Christophe Cherix: In Cut Piece, members of the audience were invited to approach and cut away pieces of Ono’s clothing, as she knelt silently on a stage. Yoko Ono: When I do the Cut Piece, I ...

“YOU GOTTA BE ABLE TO THINK LIKE JOHN COLTRANE TO DO WHAT I AM DOING IN PAINTING: THE LIGHT EXIST IN SHEETS, JUST LIKE COLTRANE TOLD ME.” —Jack Whitten, 2006, as quoted in Notes from the Woodshed, p.

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

In April 2000, The Museum of Modern Art’s director, Glenn D. Lowry, joined other American museum directors to present testimony before the Presidential Advisory Commission on Holocaust Assets, ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

MARINA ABRAMOVIĆ: House With Ocean View was for me an experiment. When I came to New York, it was just after September 11, and I found New York so much changed. I found New York and people living here ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

The MoMA Alzheimer's Project was a special initiative in the Museum's Department of Education.The initiative took place from 2007 to 2014 and was generously funded by MetLife Foundation. During this ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

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