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Leo Fender got it right in 1948 with an amp he created for lap-steel guitar players
As the rest of the Fender lineup evolved into brown-panel cosmetics in ’61 and the iconic blackface styling partway through ’63, the Champ remained the last of the tweed-era amps for a few ...
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“Far more versatile than its tube counterpart”: Fender Tone Master ’59 Bassman review
Since its release in 1952, the unmistakable throaty authority of the tweed 4x10 combo amp has had top players including such luminaries as Michael Bloomfield, Buddy Guy, Paul McCartney ...