Productions take very different approaches to the central symbol of this epic cycle, treating Wagner with daring freedom.
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It was nicely appropriate that one of the ovations on first night should be for conductor Jakub Hrusa, who was making his maiden appearance as the new music director of the Royal Opera House.
Guth’s symbolic, psychologically probing production seems more potent than ever with Hrusa at the helm. The musical directorship of the Royal Opera is, on this showing, in safe hands.