Santos, ever-willing to experiment, has turned to heated acrylic-plexiglass scorched from behind as his canvas. “Everything here is burnt from the back. This time, I used plexiglass because I ...

show together with the concept of loss and regeneration. Finally, we return to Nilo Ilarde with Faulty Landscape, which is an ode to art’s most beloved process, sans the image—a pile of used paint ...