Though its intention is grim, Manikarnika Ghat is a deeply serene and reflective place, where the cycle of death and rebirth can be witnessed. Vishalakshi Temple is a shrine dedicated to Goddess ...

Though its intention is grim, Manikarnika Ghat is a deeply serene and reflective place, where the cycle of death and rebirth can be witnessed. 10. Vishalakshi Temple Vishalakshi Temple is a shrine ...

Many sessions take place in serene settings overlooking the river ... Understand The Cycle Of Life And Death At Manikarnika Ghat Manikarnika Ghat is where life and death meet in the most ...

In Varanasi, the three-day Shringar Festival culminates with 'Nagar Vadhus' dancing around burning pyres at Manikarnika Ghat, venerating Mahashmashan Nath. Originating hundreds of years ago ...

Nandeshwar Ghat converted into Manikarnika Ghat for Aanand L Rai’s Tere Ishk Mein (BCCL/ Arvind Kumar) (L) Dhanush spotted at Nandeshwar Ghat shooting for the sequel to the 2013 film Raanjhanaa ...

The disturbing video also surfaced online. The incident took place at the Manikarnika ghat. The video shows the woman going deep inside the water to make a reel. Suddenly she slipped. Due to the ...

That day, the mother-daughter duo had gone to Manikarnika Ghat — a spot on the banks of the Bhagirathi river, a major tributary of the Ganges. As per eyewitnesses and reports by NDTV ...

DEHRADUN: A woman was swept away in Bhagirathi river at Manikarnika Ghat while she was filming a social media reel on Monday. The horrifying event was witnessed, and even inadvertently recorded ...

In the 16-second viral clip, the woman stands in the River Ganga at Manikarnika Ghat in Uttarkashi, Uttarakhand, posing for the camera despite the strong current of the water. Within moments ...

On Monday, she was visiting Manikarnika Ghat with her 11-year-old daughter when the accident happened. As per reports, the woman had given her mobile phone to her daughter and asked her to make a ...

CJ Robinson, “Manikarnika Ghat, Varanasi”, Watercolour on watercolour board, c. 1910. Courtesy DAG. This is an excerpt of an essay from the book Banaras – Imagined Landscape, accompanying ...