The Brady Corbet movie featuring Adrian Brody is inspired by the post-War architectural style called Brutalism, which found ...

Brady Corbet’s epic is a hymn to one man’s tenacity and vision that explores the interconnected fates of the architect and ...

Driector and writer duo, Brady Corbet and Mona Fastvold said they cried A LOT on set of their brand new Oscar-tipped movie, ...

But how much of The Brutalist is based on a true story? That said, the Holocaust, immigration, and post-war modern architecture are all very real things. The Brutalist is a historical fiction ...

In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...

Spotlighting the post-WWII immigration experience for Holocaust survivors who came to America in search of a new beginning, Brady Corbet’s “The Brutalist” superficially feels like Oscar ...

SURREAL narco-musical Emilia Perez and epic immigrant drama The Brutalist were the big winners at the Golden Globes on Sunday (Jan 5), as prizes were shared widely across an international crop of ...

Demi Moore gave an impassioned speech as she won her first acting award at the Golden Globes in a ceremony which also saw films The Brutalist and Emilia Perez triumph. Moore, 62, said she was ...

Adrien Brody poses in the press room with the award for best performance by a male actor in a motion picture - drama for “The Brutalist” during the 82nd Golden Globes on Sunday, Jan. 5 ...

Check out our review of Emilia Pérez here. Brady Corbet’s The Brutalist won in three major categories - Best Film (Drama), Best Director and Best Actor (Adrian Brody). Corbet beat favourites ...

Two wildly audacious films — Brady Corbet’s 215-minute postwar epic “The Brutalist” and Jacques Audiard’s Spanish language, genre-shifting trans musical “Emilia Perez” — won top ...

It is exceedingly rare to have a major Hollywood film take architecture as its central ... Coppola’s Megalopolis and Brady Corbet’s The Brutalist are wildly different in tone and tenor ...