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(THE CONVERSATION) At the end of Katsuhiro Otomo’s dystopian Japanese anime film “Akira,” a throbbing, white mass begins to envelop Neo-Tokyo. Eventually, its swirling winds engulf the metropolis, ...
One of the most iconic examples is Akira (1988), Katsuhiro Otomo’s cyberpunk masterpiece. Set in a dystopian Neo-Tokyo, the film’s breathtaking animation and complex exploration of societal ...