The audience at the New York Philharmonic Thursday night saw a different side of Yuja Wang—literally.
Liu’s imaginative program design was matched by poetic playing in Tchaikovsky’s miniatures and fiery and sonorous renderings of Scriabin’s Piano Sonata No. 4 and Prokofiev’s Piano Sonata No. 7.
The first half of the program, “Light in Darkness,” featured newly commissioned works by writer a.k. payne, paired with art ...
In the Ninth Symphony, Mahler examines death from an internal, personal view. Through the music, Mahler sees the end and ...
Ryan Speedo Green is such a consistent and enjoyable presence on the New York City classical music scene that it was amazing to realize that his Wednesday night performance in Zankel Hall was his ...
There’s a hoary cliché from rock journalism, where a guitarist is giving an interview and talks about how they dislike certain other players because they have great technique but no “feel.” While a ...
Sequentia performed “Gregorious—The Holy Sinner” Sunday at Corpus Christi Church. Early music concerts are a form of time travel. With “Gregorius—The Holy Sinner,” Music Before 1800 transported the ...
If you like looking at pictures of Alfred Roller’s sets for Götterdāmmerung or portraits of Jean de Reszke as Siegfried or Birgit Nilsson as Brünnhilde, you would likely have enjoyed the New York ...
Eleonora Buratto is Mimi in the Metropolitan Opera’s January performances of Puccini’s La Bohème. File photo: Curtis Brown/ Met Opera There is something comforting about revisiting Giacomo Puccini’s ...