Enough cannot be said about the singing, the dancing, the costume and production design and more in William Kentridge's ...

The Infinite Energy of Ada Lovelace played in Warner Concert Hall Jan. 24 and 26. Running just an hour, the opera follows Ada Lovelace, a notable 19th-century mathematician who worked as an associate ...

Heartbeat Opera specializes in daring reductions of the classics, and this may be its most implausible undertaking yet.

The National Opera House in Pittsburgh has entered its restoration phase, following its acquisition and stabilization. This ...

Oslo, the dynamic capital of Norway, blends modern architecture with breathtaking natural scenery. Iconic landmarks like the Oslo Opera House, the Royal Palace, and Vigeland Park showcase the city's ...

for Oslo, Outstanding Set Design (Outer Critics Circle Awards) for The King and I, Best Scenic Design of a Musical (Tony Awards) for The King and I, Outstanding Set Design (Drama Desk Awards ...

Continuing what has become a tradition, this is another production that originated at Berkshire’s Watermill Theatre making use of the talents of actor-musicians. There’s an off-stage drum kit ...

Ryue Nishizawa's Moriyama House was the most significant building of 2005 We continued counting down the most significant architecture of the 21st century in our 21st-Century Architecture ...

When Claus Guth’s new Royal Opera staging of Janáček’s opera Jenůfa emerged from the delays of the lockdown in 2021, it had a mixed reception. Taking away reference to the local ...

It was nicely appropriate that one of the ovations on first night should be for conductor Jakub Hrusa, who was making his maiden appearance as the new music director of the Royal Opera House.

Guth’s symbolic, psychologically probing production seems more potent than ever with Hrusa at the helm. The musical directorship of the Royal Opera is, on this showing, in safe hands.

the impact he gets from the house orchestra is seared on the memory. The composer's first great score has its problems in a not always clear orchestration – later he went for extremes, which pose ...