However, collectors know the real vinyl money lies in original pressings and rare vinyl ... King" gave the record to his ...

The rarest and most valuable records can fetch up to ... prices tend to be from the late 60s and early 70s, though there can also be high returns for vinyl from the 1950s through to the 1980s.

Of course, we wouldn't recommend buying vinyl solely for the purposes of making money – we're all about the tunes contained within the grooves – but we asked Ian Shirley, editor of the Record ...

After taking a few decades off, vinyl has made quite the comeback in recent years. When's the last time you revisited your record collection ... grew up in the '60s and '70s is at its peak ...

The most valuable vinyl records are rock and roll ... we tend to focus on the 1950s, 60s, and 70s—but if you inherited a bunch of Johnny Ray 45s from your parents or have some ancient blues ...

While not everyone has a record worth the same as two Ferraris in their collection, most people who buy vinyl own something that’s particularly valuable ... Warhol's Factory ’60s Velvet ...

Wake Island was controlled by the FAA until the mid-’60s, though according to an entry from Patrick Minoughan at www.richardsramblings.com, KEAD was already around in 1963. “I would guess it wrapped ...

While not everyone has a record worth the same as two Ferraris in their collection, most people who buy vinyl own something that’s particularly valuable to them, whether it’s through rarity ...

Online retailer eBay has become a hotspot for owners to make thousands of pounds on rare or limited edition vinyl and records. One record seller has revealed some of the most expensive vinyl she ...

Following a short stint at Chess Records ... and two early ‘70s Philly soul cuts, “No Name” and “Adam And Eve.” All told, 13 of the 15 tracks on Irma Thomas: Full Time Woman—The Lost Cotillion Album ...

Of course, we wouldn't recommend buying vinyl solely for the purposes of making money – we're all about the tunes contained within the grooves – but we asked Ian Shirley, editor of the Record ...