Bear with me here, but this revival of Eugène Ionesco’s playfully absurd 1959 drama is terrific. I know, I know, this is the one where the inhabitants of a small town — groan — gradually ...

His masterpiece, Rhinoceros, which was first staged in 1959 and is now revived at the Almeida Theatre, does present a challenge. Its central point is simple: conformity results in monstrous ...

This 1959 absurdist play about crushing conformism should still be relevant, yet the Almeida’s revival lacks real punch ...

Broadway alums Auli’i Cravalho, Alex Newell, Dulé Hill, and Utkarsh Ambudkar are lending their voices to an all-new family ...

This ought to be a theatrical Rorschach test. One by one, inhabitants of a provincial town transform inexplicably into Rhinoceroses. The last man, misanthropic drunkard Beranger, is left pondering ...

There's more to work than life.

When Rhinoceros, written in 1959, opened at the Royal Court in London a year later, it starred Laurence Olivier and Joan Plowright, part of a wave of plays changing theatre alongside those by Samuel ...