REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 THE RAISING OF LAZARUS: THE LARGER PLATE (B., HOLL. 73; NEW HOLL. 113; H. 96) Etching and engraving, circa 1632, a very good impression of New Hollstein's ...

Radierung mit Kaltnadel auf Bütten mit Wz. “Arms of Amsterdam”, vgl. Erik Hinterding, Rembrandt as an etcher. Catalogue of watermarks (Illustrations), Bd. III, S. 34 oben. (1642). 15,5 x 12,3 cm ...

15 x 11.5 cm. (5.9 x 4.5 in.) Subscribe now to view details for this work, and gain access to over 18 million auction results. Purchase One-Day Pass ...

In its raw artistic power, Duccio’s “The Raising of Lazarus” connects to Aretha Franklin’s own storytelling masterpiece six centuries later. Duccio di Buoninsegna was the radical ...

He created more than 300 during his lifetime. “The Raising of Lazarus,” from around 1632, is the first print Rembrandt made after one of his paintings. Created when the artist was in his mid ...

10.5 x 90.3 cm. (4.1 x 35.6 in.) ...

But now, experts say the painting is the work of Rembrandt himself. Abraham Bredius, the museum’s original curator, bought The Raising of the Cross in 1921, convinced it was a Rembrandt.

Through x-ray scans, Verhave was able to detect that Rembrandt made several key changes throughout the creation of the piece — reiterating the belief that The Raising of the Cross was in-fact a ...

Two long-forgotten Rembrandt portraits will come to public ... s on July 6 alongside Cornelis van Haarlem’s The Raising of Lazarus, one of Jan Breughel the Elder’s landscapes of hell and ...