We’re celebrating the 30th anniversary of Pitchfork with a full week dedicated to Sunday Reviews of great albums from 1996. Today we revisit Aphex Twin’s fourth album under the alias, which used naive ...

Read Paul A. Thompson’s review of the album.

Julianna Barwick and Mary Lattimore have enough in common that it’d be weird if they hadn’t worked together. Both grew up in ...

Today, we revisit the ubiquitous 1984 Bob Marley compilation Legend, a woefully incomplete portrait of the Jamaican artist ...

The prevailing sentiment of In 1,000 Agonies, I Exist is not “celebratory,” per se, but its pummeling desperation offers more ...

On a 20th anniversary reissue, the UK doom metal band’s second—and most recent—album remains one of the genre’s heaviest and ...

It isn’t, but the God-shaped hole is everywhere on This Is My Way. On “Take a Great Notion,” over stand-up bass notes that ...

The songwriter performs a penetrating and generous post-mortem of a lost friendship in pearlescent little showstoppers where ...

On her debut solo album, the English singer-songwriter—and member of Let’s Eat Grandma—channels childlike wonder and joy with ...

On a brief new project, the Detroit rapper finds strange, adventurous territory on the outskirts of his hard-nosed sound.

It’s hard to sing along to a Dry Cleaning song—and the reasons go beyond the fact their lead singer, Florence Shaw, isn’t ...

The UK singer-producer combines nimble vocals and innovative arrangements with the compressed drama of Y2K dance pop; her ear ...