Turbo-boost your pentatonic lead playing by learning from Nuno Bettencourt, Joe Bonamassa, Jimmy Page and more ...

Use precise geolocation data and actively scan device characteristics for identification. This is done to store and access ...

Once we get into minor chords (with a b3) and 5 chords – often called powerchords and which don’t have a 3rd at all – it’s ...

Step 6: There are two particular types of non-diatonic chord that make great tearjerkers, the first of which is the half-diminished, or minor-seven-flat-five (m7b5) chord. This is made by taking a ...

One way to achieve this is by using what are known as borrowed chords.. Borrowed chords are usually taken - or, yes, ‘borrowed’ - from the key parallel to the one you’re working in. Parallel keys ...

Any additional chords must by default be minor or diminished. How Is I-IV-V Used? Typically, as above, to create chord progressions that are the ultimate in major chord progressions within a key.

What might make D minor so glum is that the chord’s tonic, or its tonal center, is the downbeat D minor itself.Minor chords in general are so poignant that they’ve been central in studies on ...

For example: If you’re playing in the key of F and move to an A minor chord from an F major, popular songs are 67 percent likely to follow it up with a D minor chord.

To many people, minor chord progressions in music “sound sad” while songs in a major key “sound happy”. But for researchers who study how people respond to music, it has always been ...

Consider two chords, C-major and C-minor: C-Major and C-minor chords differ by only one-half note – E and E-flat. A small difference with a big impact. The difference in sound is due to the interval ...