“The Marriage of Figaro” is the ultimate ensemble ... can make a spectator feel breathless. For the frenzied Act 2 finale, he dove through six different lines, singing segments from each ...

As far as opera director Ian Rutherford is concerned, The Marriage of Figaro has "possibly the greatest Act II of opera and musical theater that was ever created and the greatest libretto ever ...

Here’s the pitch: countertenor Anthony Roth Costanzo will perform Marriage of Figaro at Little ... leaving the setup funnier than the payoff. The Act II finale was Costanzo’s most virtuosic ...

Donation Options Search Search Search The title character (Peter Kellner) of “The Marriage of Figaro” is set to ... penetrating aria at the beginning of Act 2, “Porgi, amor, qualche ristoro ...

The company’s first semi-staged “Figaro” had absolutely everything ... The two’s harmonies, in lockstep at light speed during the Act II finale, foreshadowed a stunning “Sull’aria ...

Singing seven different roles in a madcap presentation of “Le Nozze di Figaro (The Marriage of Figaro)” at ... stretching his voice 3 1/2 octaves in an invigorating and entertaining 95-minute ...

But when the countertenor Anthony Roth Costanzo has a go at a similar feat — performing Mozart’s “The Marriage of Figaro ... and hits a real snag after the Act II finale, which uses ...

“The Marriage of Figaro” is the ultimate ensemble opera, so what happens when one person sings all the parts? The countertenor Anthony Roth Costanzo is currently doing just that at Little ...

Anthony Roth Costanzo’s one-man(ish) Marriage of Figaro is a mixed bag ... leaving the setup funnier than the payoff. The Act II finale was Costanzo’s most virtuosic set piece.

Anthony Roth Costanzo Sings 7 Roles in Madcap `Marriage of ... He adds Figaro, Susanna, the Count, Countess, Antonio and Barbarina, stretching his voice 3 1/2 octaves in an invigorating and ...