In the film, the imaginary building evokes both the best and worst of postwar architecture and brutalism, with camera angles and lighting emphasizing its giant volumes of space and hard geometric ...

In 'The Brutalist,' the fictional Tóth pioneered Brutalism in Philadelphia. In real life, it was architects like William ...

Bauhaus architects like Walter Gropius and Mies van der Rohe fled Nazi Germany, but not all of them went to the US.

The Brutalist is about architecture in the way that Citizen ... The Institute, conceived as a massive block of blue-gray concrete with a smokestack-like tower and a series of sepulchre-like ...

It is exceedingly rare to have a major Hollywood film take architecture as its central ... Coppola’s Megalopolis and Brady Corbet’s The Brutalist are wildly different in tone and tenor ...

The president’s preference for classical design for new federal buildings, and his revival of the name Mt. McKinley for North ...

The fictional movie, set in the 1950s and '60s, centers around architect László Tóth (Adrien Brody), a Hungarian immigrant to the United States and a Jewish Holocaust survivor.

“The architectural motifs were also mirrored in the editing style,” he explains. "The clean, geometric precision of brutalist architecture influenced the cutting patterns, with long, unbroken shots ...

Looking at the grey concrete blocks of the sprawling ... However, the philosophies of Brutalist architecture are not to everyone's taste, and the Barbican has its fair share of detractors.

Adrien Brody stars in Brady Corbet’s epic drama about a brilliant architect from Budapest hired by a dangerous capitalist played by Guy Pearce ...