I approached the F# chord in the same way as I had approached the G chord, by playing the notes of an F# major triad: F#, A#, C#. As you study the remainder of the solo, you’ll see that each ...

Shifting to a major feel, this Emaj9 features the semitone ... It is not a ‘sus4’ chord, because the 3rd is present. This F#7add11 chord will bring a smile to the face of any Rush fans.